Where Pacino entered the bank in a rumpled suit, his oily hair signaling sleepless nights, Bernthal saunters onstage as if posing for a glamorous photo shoot. Tailored trousers and a rolled-sleeve shirt showcase his toned, tattooed arms, which often rise to adjust his sleek, voluminous hairstyle. In this adaptation, Sonny is tardy for the robbery, requiring him to sweet-talk his way past the guard. It’s an engaging sequence, but it frames Sonny as a smooth operator, not a genuine threat—unlike the film, where he begins as a bundle of frayed nerves and shouting, discovering his silver tongue only as he settles into the bank.
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